A while back in another thread, Kirkp posted a link to an instructable page on metal etching. I was looking for a way to reproduce the look of the metal foil bow logo stickers on my Feather Craft. While I didn't end up using the electro-etching method described in the link, it did send me down a similar path to make some reproduction parts that, I think, turned out pretty well.
Around that time, another member here asked if I had any ideas on refreshing the 'CRESTLINER' text on an Attwood steering wheel trim ring. Attwood apparently supplied wheels to a number of boat makers as OEM equipment and imprinted the trim rings with the manufacturer's name. These look to have been screen printed and not particularly durable. Turned out that mine was in pretty rough shape too and didn't withstand cleaning the ring. Since perusing Kirk's link I was set up to saline etch aluminum for that other project and this seemed like a good application for it as well. (...When you have a hammer, all of your problems look like nails, or something along those lines). After some experimentation I decided that the original part was a bit too thin for this, particularly since I was planning to fill the etched area with paint. So, I cut some new blanks from .050 aluminum sheet.
I won't go into excruciating detail on how it's done (...the link above explains it all, right down to the recipe and the chemical reactions involved), but the pictures will give you some idea of the steps involved...
First, a resist is applied to the part to mask off the areas we don't want etched. The sides and back are covered with clear packing tape to protect them as well. The resist I'm using here is a product called P&P Blue. It's used primarily by home circuit board makers. You print the design as a reversed negative with a laser printer and iron it on to the part. It's kind of fussy and I've since moved on to a photosensitive material that I find a bit easier to use. The darker areas on the ready to etch parts are touch-ups of flaws and pin holes in the resist with clear nail polish ...which, fortunately, my wife hasn't noticed missing yet.
The artwork provides both a center and the inner and outer cut lines. When placed in the mordant solution you'll see the reaction start to take place almost immediately. The brown gunk is primarily copper, which needs to be gently brushed away every minute or so for a cleaner etch.
Once out of the solution, the part is rinsed to stop the reaction and the resist is removed with acetone or laquer thinner. I don't have a lathe so I needed to cobble up a jig for my disc sander to sand them round and the rest of the finishing is done by hand. The ones on the lower left are left with a matte finish using maroon Scotch-Brite on a DA sander. I cleaned them with some NAPA Aluminum Brightener, dabbed in some paint, and squeegeed it off, cleaning up with some thinner on a rag after the paint had a chance to set up a bit. The one on the lower right was wet sanded to 1500 and polished. The sanding and polishing softens the edges of the etch, but I kinda like the look and this one is going on my Jetstreak. An original one is at the lower left. You can just barely see the original Crestliner text.
This is a pretty simple process using easy to obtain, and not particularly dangerous chemicals. You could easily try it yourself. I'm happy to answer any questions and can maybe produce some of these if there's a need. PM me if you need one. Since I'm drawing the artwork that the resist are made from it'd be a simple matter to make them read something other than 'CRESTLINER' too.
